VaultBoy101
Member
It can only go up in quality from the first one, so that's something I guess.
The movie does feel like stuff happens because of flimsy reasons like that. No internal consistency and very little logical context in the world or with the characters. Terrible scifi.All the problems of Promethus are explained on the 4 hour documentary on the bluray. All stems around Scott loving wine and being very amenable to whatever changes anyone suggested at any time, which means David Lindelof just threw shit out there and Ridley went along with it.
It all starts with, "I had this great idea..." for a story/scene/prop/set/whatever, and someone saying, "What if we did this..." and Ridley saying, "Sure" and then shutting down the day for wine tasting.
Do people still pretend like Ridley Scott has made a good movie after Gladiator?
Well, this sequel might be better than the first one because of Damon fucking Lindelof.
And by the way, he's not returning to write the sequel.
I like your style.I have good taste in movies so this is great news
Oh, nice.Well, this sequel might be better than the first one because of Damon fucking Lindelof.
And by the way, he's not returning to write the sequel.
Forgot about American Gangster. The other two are a nah from me.Black Hawk Down
American Gangster
Prometheus
Prometheus was great. The internet backlash against it was ridiculous. People were expecting James Cameron, they got Ridley Scott.
It's a great companion piece to Alien and Blade Runner.
Nah. If you actually read both drafts, you'll see that Lindelof really is just a terrible, terrible writer. He writes like a 13 year old kid that's had one too many milkshakes.Thing about Lindelof is that he was brought in to alter the Spaihts draft out of being a direct Alien prequel, and I can't imagine making someone else's story into something entirely different without it being a little messy. People especially here love to hate on the guy but I take circumstance into consideration. If they would've kept it being more simple it'd have likely been more focused, at least that's just what I think. I think Damon is smart and talented, but he's been in very trying situations. Tomorrowland was also a good but misunderstood movie IMO.
Not making excuses for poor writing, but I do think the Prometheus situation was more than a bit sketchy for him. It's like here take this guy's script and turn it into something else but keep many of its elements! I think that's pretty damn hard to do, and I still think the movie turned out okay. I liked the story just thought certain parts were wonky. Hopefully the next script/story is more focused without so many cooks in the kitchen.
Thing about Lindelof is that he was brought in to alter the Spaihts draft out of being a direct Alien prequel, and I can't imagine making someone else's story into something entirely different without it being a little messy. People especially here love to hate on the guy but I take circumstance into consideration. If they would've kept it being more simple it'd have likely been more focused, at least that's just what I think. I think Damon is smart and talented, but he's been in very trying situations. Tomorrowland was also a good but misunderstood movie IMO.
Not making excuses for poor writing, but I do think the Prometheus situation was more than a bit sketchy for him. It's like here take this guy's script and turn it into something else but keep many of its elements! I think that's pretty damn hard to do, and I still think the movie turned out okay. I liked the story just thought certain parts were wonky. Hopefully the next script/story is more focused without so many cooks in the kitchen.
The protagonist is Christian.
The film takes place over Christmas.
Our creators wanted to wipe us out 'around 2000 years ago'.
I wonder what prompted that after spending 4 billion years creating us?
Yep, it's Space Jesus! And now Shaw's off to find Heaven.
this is the conclusion I've come to from this thread..Prometheus is good if you think of it as being a farce.
Do people still pretend like Ridley Scott has made a good movie after Gladiator?
You know Ridley and Terry Rawlings drank martinis while editing the original Alien. I don't think enjoying liquor during the creative process is a new thing with Ridley Scott.
Perhaps his enjoyment of liquor had grown over 30 years. Or at least made him extremely amenable to suggestions to change anything and everything. The doc showed that he started the project with a clear vision, but had stopped caring at all by the time of shooting, letting his vision be changed by anyone and everyone with no resistance or care.
not to mention the whole "alien squid is the antichrist" born to a sterile woman part...
Weyland's feet being washed as well, the film's dripping in it.
This guy gets it.
In fact I think I'll go with this new theory. The stupidly religious scientists going to great lengths to seek answers that only leave them confused infuriated and disappointed are an allegory for the Alien audience, and possibly for blockbuster film franchise audiences in general.
Weyland's character is an allegory for the director selfishly seeking immortality through his cinematic work, and purposefully exploiting his audience in the process.
Can't say I found the slightest bit of nuance in Scott's exploration of the religious psyche in this film. If anything it felt like he was mocking the viewer.
What's with the hate to Prometeus? I think it was great, more Alien movies the better.
I like this interpretation, it's the most consistent one I've seen yet. Also goes along with plenty of other nonsensical things seen in the film.
Fits with what I said earlier too:
Also it possibly helps explain one of the most obvious visual gags in the movie: the rubik's cube.
Do people still pretend like Ridley Scott has made a good movie after Gladiator?
The number of people not only defending the first, but saying that it was "awesome" and that they "can't wait for a sequel" is absolutely mind-boggling to me.
I was excited to see it, because when I heard people defending it on the grounds of "It's okay to leave questions unanswered", I thought perhaps it would be an intelligent but ambiguous movie. But the questions were along the lines of, "Why is everybody so stupid and shallow?", "Why does this universe have no internal consistency or logic on almost any level?", and "Why is every element of the movie so cliche or derivative?".
Same strokes same folks, dawg
Also it possibly helps explain one of the most obvious visual gags in the movie: the rubik's cube.
Why do studios still want him?Nah. If you actually read both drafts, you'll see that Lindelof really is just a terrible, terrible writer. He writes like a 13 year old kid that's had one too many milkshakes.
Why do studios still want him?
Some things are beyond defense, though. This is little different than if Shyamalan somehow got everyone hype for a "The Last Airbender" sequel.
The scene where all the scientists are invited to see a holographic presentation by Weyland. The projection device is a blatantly obvious painted-over Rubik's cube. Lots of people were saying it stood out too much not to be meant for the audience to pick up.Where was that? I don't remember that part.
LolTepid optimism.
Do people still pretend like Ridley Scott has made a good movie after Gladiator?
a) First script is better. It's a simple rehash of Alien/Aliens , but seemed fun
b) Most of the terrible ideas came from Ridley itself. Lindelof put into words what Ridley wanted.
You're making it sound like I'm trying to attribute some deep artistic meaning to the film when in fact all I'm saying is it's easier to interpret it as a big "fuck you" to fans of the franchise. Whether or not that message was intentional is open to interpretation, but either way it's still a pretty fucking stupid message to build a film around.More thought has been put into the film after its release than before.
A beautiful sportscar driven by an artist hits a wall. Why did this happen? What a waste! Maybe there's something in the wreckage we can find to explain it? Was he distracted by passengers in the car? His brake-lines may have been cut! What if hitting the wall was the artistic statement? I actually like the look of the wreckage, the crumpled bonnet really speaks to me! What if the wall was the limit of our understanding? Maybe the story is about how the car is put back together? Maybe I'm meant to put it back together!
Oh, he was just drunk.
Or because he was okay with it. I wouldn't assume those terrible ideas were all his in the first place (especially considering a lot of them felt extremely Lindelof-like).Lindelof sucks, but people should have enough perspective to realize that Scott isn't some first-time director being pressured into anything by clueless studio big-wigs. He's a veteran director with a lot of successes and a LOT of pull, and if something made it to the final film, it's because he wanted it there, plain and simple.
You're making it sound like I'm trying to attribute some deep artistic meaning to the film when in fact all I'm saying is it's easier to interpret it as a big "fuck you" to fans of the franchise. Whether or not that message was intentional is open to interpretation, but either way it's still a pretty fucking stupid message to build a film around.
Also, your sports car analogy reminded me of a similar joke about Christianity. A charismatic and well loved drifter gains a cult following by claiming to be the messiah and son of God, sending a message of love and hope throughout the land, only to be arrested by the authorities, humiliated, defeated and hanged to death like your average nobody.
But wait! Instead of accepting the simple explanation (that the guy was just another lunatic in a long line of lunatics) maybe we can interpret his story differently. Maybe he WAS the son of god and he MEANT to let the Romans humiliate and hang him to death... because... um ...that would bring salvation to future mankind! Yeah! It was a miracle and proof of God's devine love! Certainly not some bum spewing nonsense that was no more than a slight nuisance, forgotten as quickly as he'd appeared.