I would be very surprised if they attempt to do the exact same thing, visually speaking, that they did this season. It'll be a new story with new themes, in a new setting.
it was so tense. I needed to pause it a few times to catch my breath,. HOLY
I'm aware. Not talking about the king in yellow.
Yeah the feel and mood of the whole thing followed directly from the specific story being told. They've got a ton of flexibility to make it look and feel however the next story needs.
AHS's 3 seasons, while having elements in common, all have very different styles- S3 had a dream/drug-induced state feeling to it, while S2 was so incredibly bleak and dark.Yeah the feel and mood of the whole thing followed directly from the specific story being told. They've got a ton of flexibility to make it look and feel however the next story needs.
Wait, seriously? Is he fucking with us?
I would be very surprised if they attempt to do the exact same thing, visually speaking, that they did this season. It'll be a new story with new themes, in a new setting.
You are not Cornballer :0
And rusts interrogating Guy Francis before he killed himself made the killer and the yellow king to be separate"And he's not a pig-man, is he?"
"No he's not. He's just a fat little mental patient."
Errol wasn't the Yellow King.
I'm aware. Not talking about the king in yellow.
Oh, wow. I hope you're around for future seasons, because that an amazing piece of info you just gave us. (assuming that we're not being trolled by Pizzolatto)From Wikipedia:I was reading a horror anthology called The Weird (edited by Ann and Jeff VandeMeer) which features a lot of very good but sometimes obscure horror stories.
One of them was a story (Far Below by Robert Barbour Johnson) about the "real" goings on of the New York subway system. Apparently it was voted the best story ever in a Weird Tales poll.
Far Below (1939)
Johnson's father worked his way up to become part of the railroad's undercover police service, a fact echoed in the setting of Barbour's most famous story "Far Below".[6] The story is set in the deepest of the New York subway tunnels, but Johnson states in a memoir that he took the inspiration for the setting from the Forest Hill Tunnel in San Francisco. The other clear inspiration for this story is the H.P. Lovecraft story "Pickman's Model" (1926), which features a painting of ghouls invading a subway station.
This is if you believe the king in yellow is a book in the shows universe which pizza said it isn't.Not sure what you're looking for then. It's something Errol latched onto, possibly to make sense of the ritualistic abuse he suffered (and perpetrated).
Watching the Inside the Episode.
I was right, Errol wanted the detectives to find him.
Hooray!
He could have originally been. Then, Errol decided to do his killing spree, and tell people he was the Yellow King. It's not as if Tuttle or whoever was the real King would speak up about it.
So why didn't he stop his family from covering up his crime?
Why wasn't Reggie Ledoux wearing a shirt when they found him? Some questions just don't have answers brah.
Me too.The ending is bittersweet. They got the killer, but he wasn't responsible for all the child sacrifices. I was hoping this show would reveal the cultists.
I still don't understand the whole yellow king and carcosa thing either.I way overestimated how complex the ending was going to be. I was looking up Yellow King, Carcosa, etc to try and understand what was going on. The finale ended up being pretty straightforward, though it was still very entertaining.
Me too.
It's whatever horrifying shit you want to imagine it to be. It's more sinister when it isn't spelled out for you.Well maybe if you see that fortress as being carcosa and it being his domain. I'm more interested in what the yellow king is, the ideas, mythology etc. The idea that the yellow king was just some hillbilly giant sister/mother fucking manchild doesn't feel complete I guess. I was hoping to know more about the mythology.
You know carcosa?
Rejoice, death is not the end
This stuff has topredate errol
Yes this is how I'm looking at it much like the tape.It's whatever horrifying shit you want to imagine it to be. It's more sinister when it isn't spelled out for you.
Eh, that's not really fair. The family went to great lengths to cover up his crime. If he really wanted to be found out, and you subscribe to the idea that he was so evil and bad he kept the family in line....
Doesn't add up to me. *shrugs*
Although I guess it does make sense as to why he put Lange on display. But then I don't really think that the family would be for this, or would be apart of his wanting to be "found". Personally.
Nah, that was just an acid flashback. I did think that was one of the more heavy handed elements of the episode, having the hallucinations appear so infrequently in the first few episodes, disappear, then have Marty bring them back up right as they're in the car on the way over only to have one manifest at the least opportune moment. The visual itself and its placement in the structure of the story were awesome, but it was definitely a little jarring without a solid, established build up throughout the season.So the whole cult revolved around the dark circle that appears out of nowhere in Carcosa?
Nah, that was just an acid flashback
The Fontenot girl was their doing - not Errol. Hence the cover up by Sheriff Childress.Eh, that's not really fair. The family went to great lengths to cover up his crime. If he really wanted to be found out, and you subscribe to the idea that he was so evil and bad he kept the family in line....
Doesn't add up to me. *shrugs*
Although I guess it does make sense as to why he put Lange on display. But then I don't really think that the family would be for this, or would be apart of his wanting to be "found". Personally.
Nah, that was just an acid flashback. I did think that was one of the more heavy handed elements of the episode, having the hallucinations appear so infrequently in the first few episodes, disappear, then have Marty bring them back up right as they're in the car on the way over only to have one manifest at the least opportune moment. The visual itself and its placement in the structure of the story were awesome, but it was definitely a little jarring without a solid, established build up throughout the season.