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Award-Winning Manga Creator Jiro Taniguchi Passes Away at 69

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De-mon

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Jiro Taniguchi, the creator of such manga as The Times of Botchan and Kodoku no Gourmet, passed away on Saturday. He was 69. His family is planning a private funeral service.

Taniguchi was born in Tottori City in western Japan in 1947. After working at a Western clothing wholesaler in Kyoto, he moved to Tokyo to pursue his aspirations of becoming a manga creator. At the age of 24, he made his debut with the manga Kareta Heya, and developed his signature style of fine line art and shading without ink. He published many works for grown-up readers, depicting the everyday lives of ordinary people.

The Times of Botchan, Taniguchi and writer Natsuo Sekikawa's fictionalized account of real-life Botchan author Soseki Natsume, earned the Japan Cartoonists Association Awards' Excellence Award and the Tezuka Osamu Cultural Prizes' top honor. Taniguchi and story creator Masayuki Kusumi also published the Kodoku no Gourmet manga about a solitary salesman named Gorō Inagashira as he travels all over Japan and samples the local cuisine found on street corners. This manga inspired a popular live-action television series that just revealed a sixth season last month.

Overseas, Taniguchi's works received an Ignatz Award nomination in 2010 and several Eisner Award nominations from 2007 to 2010. Taniguchi himself was "knighted" as a chevalier in France's Ordre des Arts et des Lettres in 2011. Taniguchi's admirers include acclaimed film director Guillermo del Toro, and Taniguchi collaborated with another award-winning artist, Moebius, on the manga Icaro (Icare).

Taniguchi's manga with overseas editions include Guardians of the Louvre (Les Gardiens du Louvre), The Summit of the Gods (inspiration for a Japanese live-action film and a planned French CG film), A Distant Neighborhood (made into a live-action European film), The Walking Man, A Zoo in Winter, The Ice Wanderer, The Quest for the Missing Girl, Samurai Legend, Hotel Harbour View, and Benkei in New York.

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ryan13ts

Member
I wonder how long mangaka usually live considering their work conditions

I've often wondered that myself, since it's such a stressful career and the lifestyle they live while writing, especially weekly series, is flat out insane.

RIP Taniguchi-san
 

karobit

Member
I've often wondered that myself, since it's such a stressful career and the lifestyle they live while writing, especially weekly series, is flat out insane.

from a 2009 conversation between Naoki Urasawa and Hisashi Eguchi re: new wave manga & Katsuhiro Otomo

https://mangabrog.wordpress.com/2015/05/17/naoki-urasawa-and-hisashi-eguchi-talk-about-manga-in-the-70s-and-80s-mostly-otomo/ said:
Eguchi: When you keep at it like that you end up dying at sixty, like Tezuka and Ishinomori.

Urasawa: And then there’s Fujimoto [i.e. Fujiko F. Fujio], who died at sixty-three. They were all so proud of how little they slept — three hours a night or whatever.

Eguchi: And their monthly production rate of four or five hundred pages. (laugh)

Urasawa: Shigeru Mizuki said he’d hear them talk like that and wonder why that stuff would be worth bragging about. “I sleep nine hours a day and look at me now — everyone else is dead!”

Eguchi: (laugh)
 
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