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True Detective - McConaughey/Harrelson crime series - S2 starts June 21st

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She was a housekeeper for Sam Tuttle for decades right? She saw all the kids grow up. I'm sure she knew stuff about them. In fact, I personally prefer to think of the possibility that she was the influence. There's no evidence that Sam Tuttle was behind any of this. We know that Billy Lee was, and the Childress family was, and Eddie probably knew something about these stuff. What if part of the occult beliefs they practiced and especially the ones Errol latched on to, were actually stories and stuff she told them as kids, while looking after them. Scary eh? :)

Scary indeed!

I think my view on Carcosa is wrong. As my posts indicated last night I thought it was more Errol's layer. That the family rituals was it's own thing. But Ledoux said Carcosa is where old men sacrifice children.
 
What if part of the occult beliefs they practiced and especially the ones Errol latched on to, were actually stories and stuff she told them as kids, while looking after them. Scary eh? :)

The bird traps (or devil nets) for example.
...

I spent all night thinking about some of my favorite aspects of the show. The only thing I found hard to reconcile was the jump from the green ears thing to painting the house to the killer himself. It was too much of a stretch, but in the end it helped keep the series concise and focused on the characters, which I appreciated ten times more.

That finale was fantastic. The songs are going to be stuck in my head for a long, long time.
 
This season of True Detective joins No Country For Old Men as examples of simply fascinating character studies for me. The show was never about the resolution of the crimes.
 
The Yellow King said:
Ascension removes me from the disc and the loop. I'm near final stage. Some mornings, I can see the infernal plane.

Something about this links up beautifully with the imagery from the pilot where Errol lights a fire in the brush to signal his Dora Lange sacrifice.
 
So what should we expect for season 2? All I know that it's going to be another self-contained story about 2 detectives working on some case that might take place in Louisiana.
 
Do you guys think Next Season will have mentions of The Yellow King? or will he jump to other occult type folklore/stories?

Nope. I think each season will be 100% self-contained. I can't see The Yellow King being part of a series-long thematic tapestry. But I've been wrong before.
 
meh occult is over played.

Give me two IRS agents investigating a pyramid scheme cult or a fake religion.

It's still going to be "occult" next season apparently, but this time it's about the "secret history" of the US transportation system. Probably set in southern California.
 
all in all, the show didnt live up to what I hoped it would be, it was still an excellent piece of tv, but I really loved the first three episodes most, and as I said a few weeks before, the tone of the show changed a lot as the pace picked up, starting with the biker episode.

still, it was excellent, and the ending was satisfying, MM was stellar, I cant imagine him not getting the emmy for that. and season 2 will have a very hard time to deliever the same kind of overall quality.
 
For next season I hope they keep an "occult" atmosphere simmering under the surface but with no connection to the first season









and then in the final episode of the season ties it into Carcosa/Yellow King
 
I admit it annoys me that so many found the Carcosa/chase scene too long and saying that a movie would never use 20 minutes for that......


.......but that is part of what I loved about it! Immensely tense and satisfying and boy did those 20 minutes fly by - no flat circle there!
 
Ranking time?!

Best Overall Episode: Episode 5
Best Thematic Episodes: Episode 1 and Episode 8
Best Technical Episode: Episode 4
Worst Episode But Still Better Than Most TV: Episode 6
 
She was a housekeeper for Sam Tuttle for decades right? She saw all the kids grow up. I'm sure she knew stuff about them. In fact, I personally prefer to think of the possibility that she was the influence. There's no evidence that Sam Tuttle was behind any of this. We know that Billy Lee was, and the Childress family was, and Eddie probably knew something about these stuff. What if part of the occult beliefs they practiced and especially the ones Errol latched on to, were actually stories and stuff she told them as kids, while looking after them. Scary eh? :)
not bad
It's still going to be "occult" next season apparently, but this time it's about the "secret history" of the US transportation system. Probably set in southern California.

I thought that was a joke haha. White collar crime I'd definitely find entertaining haha
 
I'll just update my previous list:

1. Ep. 5 (Leydoux takedown, 2002 jump, Rust gets back on the case, that delicious unreliable narrator execution)
2. Ep. 8 (Carcosa, Cohle's arc conclusion, that final scene)
3. Ep. 1 (Pretty much a note perfect pilot that sucked me in wholly)
4. Ep. 4 (Craaaaaaash)
5. Ep. 3 (the lead up to the identification of the killer, or so we thought)
6. Ep. 7 (The glimpse into the pathetic lives of two broken men who need redemption)
7. Ep. 6 (Marty/Rust partnership dissolves, Marty/Maggie marriage ends)
8. Ep. 2 (dat Daddario.....and other stuff)
 
Just watched the finale. Absolout fucking perfection. I'm really glad Rust did'nt die. The last exchange between him and Marty was really cool and hints at Rust living life more positively in the future,
 
Not sure I could rank the episodes. I am glad I can watch the entire series now, I'm probably going to marathon this start to finish quite a few times.

This was filmed like one big movie, I think the breaks in the story they were forced to make in order to create the episodes were pretty arbitrary in the scheme of things.
 
I've never been to LA, but what's that about? Never heard of it. I thought LA had a subway/train system.

It has one, that's not particularly great but at one point it had an amazing mass transit system that was gradually bought out, decommissioned and replaced by Freeways and the Automobile. Who Framed Roger Rabbit is loosely based on that story.
 
I can't say I have a favorite ep, but the second half of ep 4 elevated this series for me. The tension from when Rust went into that biker bar until the end of the long-shot was fucking crazy. Last ep of TV to make me feel like that was Crawl Space, didn't think I'd ever experience it again. Golden age indeed.
 
Let's see them take on Scientology and crazed brainwashing while investigating the secret occult history of the United States Transportation System.

apportation

TITLE: apport (occultism)
...its passage through other material objects. Apports usually occur during a séance (q.v.) and may involve living or inanimate objects. The apporting of human beings is sometimes called transportation. Spiritualists explain apport as a process involving dematerialization and subsequent reintegration of the objects. Although numerous instances of apport have been reported, many have...

http://www.britannica.com/EBchecked/topic/603105/transportation

Edit: Also, if I remember correctly, in the early 1900's, the Masons controlled employment on quite few railroads.
 
So what was the deal with the missing girl on the highway billboard? Misdirection?

What I took from that was that it was just meant to be symbolic, like the billboards on The Great Gatsby or Less Than Zero. It ties with how Rust tries to connect other missing persons to their original case, and his own loss.
 
Forgot to say, fantastic finale and I'm glad they didn't cover every single question and left it up to the viewer and just focused on "their guy" as Marty put it.

I felt more from Rust's case and his breakdown. Really well done and made me tear up a bit but both were fantastic.

I wasn't disappointed by Rust's "optimism" there was a change in him when he opened up to Marty and when he reached that "space" and it made me feel for him, both happy and sad that yes he accepts, at least, Marty and sees some meaning to continue, but the ones he really loved are gone.

All in all, a really nice bittersweet end to all the gritty and dark tones from throughout the show.
 
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