Lets assume theres a second season. Since youve said you dont like serial killer stories, I wonder what other sort of crimes there are that can sustain an eight- or ten-episode anthology?
NP: Oh, all kinds of conspiracies suggest themselves. Especially if, like me, youve been reading about the last 40 years of Southern California government.
Forget it, Nic, its Chinatown! I assume you wont say more than that, but please do feel free to, of course. How long did it take for this show to come together, and given its scale and that youre the sole writer and the bar for casting is high, does it seem like something that could happen once a year?
NP: Man
Im tempted to utter just one word, but I cant. I gotta stay mum on the next season till its more concrete.
With this season, once I started writing in earnest, it took about three and a half months to get the scripts. Episode 1 was written in mid-2010, and 2 was written in mid-2011, but I rewrote them and all eight were done by early August 2012; then we moved into pre-production from September through most of January. Then shot a full six months. Then did post from July 2013 to January 2014.
Its very possible to do it once a year; the main thing that slowed us down was having to wait to do all of post-production until after wed wrapped. Id like to get two or three scripts exactly where I want them, then start getting the gears rolling in earnest. Casting is its own issue. Who we cast and what their schedule is will likely determine at least some part of scheduling, and scheduling will determine at least some part of casting.
Do you imagine working with one director again, and plot aside, can you give us any hints about a changed aesthetic?
NP: We dont have any plans to work with one director again. It would be impossible to do this yearly as we need to be able to do post while were still filming, like any other show. Theres some great guys Ive consulted, and were all confident we can achieve the same consistency. Going forward, I want the shows aesthetic to remain determinedly naturalistic, with room for silences and vastness, and an emphasis on landscape and culture. And I hope a story that presents new characters in a new place with authenticity and resonance and an authorial voice consistent with this season. Dominant colors will change. South Louisiana was green and burnished gold.