Here's Bryan's latest piece of artwork to look at because, well, this next bit is long.
I've been thinking about things that are good and bad with the show, and some people would say Bryke have been trolling fangirl shippers at the expense of story, but...
...Bryan expressly
denies this, at least.
Come on guys, I love and respect the fans. Let’s be friends.
I don’t feel the need to apologize for the comic, but I do have a pesky need to be understood. The comic was, obviously, a joke meant in good fun, and more specifically it was about my utter confusion with the culture of labeling anything and everything a troll/trolling. It was not an attempt to somehow generalize the entire fandom into one caricatured person and demean everyone in the process. It seems like the vast majority of people got the joke and the intention behind it, but hey, you wake up in the morning and you end up offending somebody. Try telling a joke to this many people…
When I started this blog four months ago I had no idea what trolling meant. It didn’t take long for me to notice that no matter what I did on here, chances were I was branded a troll for it. So like any modern person in his mid-30s, I looked up the definition on Wikipedia:
In Internet slang, a troll is someone who posts inflammatory,[2]extraneous, or off-topic messages in an online community, such as an online discussion forum, chat room, or blog, with the primary intent of provoking readers into an emotional response[3] or of otherwise disrupting normal on-topic discussion.[4] The noun troll may refer to the provocative message itself, as in: “That was an excellent troll you posted.”
Me, four months ago: Ahhh, I get it! Trolling is when people on The Gear Page post “David Gilmour sucks!” on a David Gilmour appreciation thread. “Jerks! He most certainly does not suck! Get off this thread! Moderator!”
But apparently that isn’t all it means, as I’m still learning. Then Korra started airing and now the term is bandied about for anything and everything in the show too, not just the silly I stuff I do here on this blog. The Ikki/Zuko’s mom joke? Yes, 100% trolling. I’ll give you that, but that’s a topic for another discussion, one of which I am sick to death, hence the trolling. Everything else? We’re just doing what we always did: trying to tell an exciting story with character arcs, dynamic character relationships, humanized characters with virtues and flaws, action, danger, intrigue, humor, drama, teen romance, scary stuff, etc. But somehow now that’s all trolling and we’re trolls for it. Storytelling and art in general seek to elicit an emotional response out of people, and we’re trying to tell good stories and make good art. But do we sit around in the writers room rubbing our hands together thinking about how we can upset people just for the sake of upsetting them? Really? Sigh…
Alas, that’s the small price to pay for audience interaction, which is otherwise a big pleasure. *Oh, and I’d like to remind everyone that my name is at the top of this blog, not Mike’s or “Bryke,” so feel free to think I’m a jerk for the content on here, but it is unfair to drag him into it. I write “we” when I am comfortable speaking on behalf of both of us, but otherwise, this is just me.
And I get it: most people throw the trolling accusation around as a trope in good fun. I like good fun. But the short history of this blog shows that a certain percentage of people don’t appreciate when I partake in it. Or when I have any sense of humor about anything. So let me assure you: I love you guys and I’m just poking fun where and when I feel it warrants it. You guys are free to dissect, critique, parody, and condemn our work (all activities many of you do voraciously, and ones that could, in the common definition, be deemed as the fans trolling us) and we can take it, and we often get a laugh out of it too. But it is only fair that we get to dish it back in measured doses from time to time. I write to you guys the same way I write and speak to my friends, and they all think I’m a jerk too. Wait… what?
So there you go, that’s how the comic came about. And I’m still confused about trolling. I simply thought it was amusing that people would slam Korra as a troll-fest but would love Game of Thrones, a story where my favorite character had his head cut off.
Love,
Bryan
P.S. This wasn’t a rant, nor an apology. And the few people who thought I was a jerk for making the comic aren’t “bad fans,” nor am I saying anyone who ever called me a troll is one either. And my feelings certainly aren’t hurt. Rather, I was attempting to explain myself to those whose were. But I’m bad at explaining myself, which is why there are so many words up there and I still didn’t get my point across! And that’s a problem for someone with a pesky need to be understood. Carry on! And I hope you liked “Out of the Past.” I thought it came out neato!
Though trolling aside, I think this bit is key to how I'm feeling about the show:
We’re just doing what we always did: trying to tell an exciting story with character arcs, dynamic character relationships, humanized characters with virtues and flaws, action, danger, intrigue, humor, drama, teen romance, scary stuff, etc.
I can't really argue with this, they've achieved what they set out to pretty well if you judge the show by this criteria (and it's really damn good), but some bits are just stronger than others, and closely looking at these individual facets highlights where the show could be better:
Character arcs: Some of them are brilliant. Korra's has been very good and multifaceted, as any strong protagonist's should be. Lin's has also been excellent. I quite liked Asami's and Tarrlok's too. Tenzin comes across as a bit pre-cooked, since his character arc seems to have ended a long time ago. He's just there as support for Korra, but it works because we see his whole family and they define him as much as he defines them. They're a good unit. Bolin and Mako might as well not have one, because their 2D character "development" is dragging on the show a bit, especially when Bolin is just a bit of a joke character who sometimes does useful bending, and Mako is like a Zuko blow up sex doll for fangirls.
Dynamic character relationships: I think this has been done very well. Lots of characters have their own unique, and sometimes conflicting, relationships. I was worried at first that there'd be two segmented groups -- the teens and the adults -- and that Korra would interact with them rather separately. However, they seem to have brought the lot of them together very well and formed some unique and funny relationships between characters that you'd think would be unlikely. Even little things like Lin zipping up Bolin's fly was an amusing interaction, and just a small detail in the scheme of things, but shows that they've been thinking about this kind of thing.
Humanized characters with virtues and flaws: Yes, sort of. Many of the characters are well-written. I think Tarrlok is a power-hungry asshole, but one who ultimately wanted Republic City to prosper. He was just a douche in going about it. Korra also has good intentions, but is hot-headed and jeopardizes herself with her actions. Amon is self-explanatory, but I'll say it: equality is an honourable intent, but the way he's going about it is monstrous. Some of the other characters have the potential to look more human -- I'd love to see more about Mako and Bolin's bending triad past, and it would've made for a good episode 5 instead of what we got -- but for whatever reason come across as rather generic and two-dimensional.
What I also like about character relationships is that there's no status quo. Allegiances change throughout the course of the show, and interpersonal relationships on different levels, sometimes very publicly, sometimes privately. It's really well-written in that respect.
Action, danger, intrigue, humor and drama: Korra's got all of these in spades. For what it's worth, I think the balance of all of these has been pretty perfect. I know some of you want more bending fights, more creative bending, whatever, but I think what we've got has been really good. Lots of great setpieces, especially when Korra was fighting the Lieutenant on the arena roof.
Teen romance: Ugh. Just have to accept it's part of the show, but I still wish the romance part was just a tad more convincing. Mako seems a bit too much of a cardboard cutout of Zuko for him to actually have any "feels". :/
Scary stuff: Amon and Tarrlok definitely fill this one. Amon is just terrifying because he's so capable, and we know so little about him. Tarrlok just has (or had) a really sick and creepy power.
So for me, it's pretty much relationships and character arcs that need improvements. In this show they skirt too closely to each other, especially with Mako, where romance pretty much defines his character. Short of a brief boo hoo story about his parents (muted by the fact that firebenders seem to have killed a lot of people's parents in this show) and the obvious genuine concern he shows for Bolin, we actually don't know much about him.
At least this is how I'm feeling about Book One so far. Maybe it'll make a marked improvement in the next two weeks, and we'll see some characters coming into their own before the whole thing comes to a close, but I'm thinking we'll have to wait for Book Two before we see any Mako and Bolin character development, which is a big shame because out of the core cast of four (Korra, Asami, Bolin and Mako), only two of them are actually strong characters at this point.
I think one thing he missed out in his appraisal of the show's criteria that works really well is the intrigue. LoK's plot is a lot like a pass the parcel game, where you're unwrapping a new layer each time, and every week new pieces drop out. It's all very expertly crafted and we're learning more each week. They basically keep throwing things at us to keep us guessing, and it's all building into a bigger picture.