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John Oliver - Hollywood Whitewashing

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i feel like it was a more "wtf is this shit?" kind of laughter to me, because man was that an absurd look

Yeah, I think maybe you're right. At least I hope so...

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Just...
 
If what Ridley says is true, and I dont know if its true, but if you cant get high box office films made if you dont present white actors in the forefront of roles that are not white, what can actually be done about that?

There's evidence that star power translates to box office receipts. On the contrary, there is evidence to suggest that blockbusters are sold on their spectacle - not their cast.

Avatar and Star Wars 7 proves otherwise, when the two leads (both had a white and black actor/actresses) are far and away from being household names.

What Ridley doesn't realize, is that people were gonna watch a huge re-telling of Moses' story regardless of cast, so to hire EVERY KEY ROLE with caucasians is quite something. To me, it's much, much more offensive to replace historical figures than fictitious ones with a different race (like 21, World Trade Center, and Pay it Forward). There's nothing that can be done, because the source of ignorance is inside Hollywood. We can only wait, as a new wave of young filmmakers, writers, and casting directors are coming out - and old producers and directors will eventually die out.
 
That 'Tom Cruise in The Last Samurai' joke. First: Dave Chappelle/Paul Mooney already said that ten years ago on Chappelle's Show. Second: 'Samurai' is plural, and the title isn't (necessarily) referring to Tom Cruise. It's certainly not exclusively referring to him.

I know Cruise isn't actually the samurai who is specifically being referred to in the title, but the point is THIS is the poster for the movie and how it was marketed:

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You tell me who the general public is supposed to think "The Last Samurai" is referring to.
 
Comparing Star Wars and Exodus isnt fair. It is entirely possible that Studio Execs wouldnt have green lit Exodus without an A list start in the leading role.

Biblical epics w/ special effects directed by one of the best visual directors in Hollywood is kinda a gimme. And it's not like there are A-list people of color with just as much if not more pull than Joel Edgerton. I literally can't name any of the white A-listers they did have in Exodus beyond Bale.
 
That's beside the point.
The film is titled "The Last Samourai" and it was heavily promoting Tom Cruise over the rest of the cast.
It may not be a case of white guy taking the role of a minority but it's certainly a case of white guy being in a prominent role where he shouldn't be because you really have to put a white guy front and center
like that

these things are not the same.
 
They really strained to put "The Last Samurai" in there, huh? I mean, the whole plot is the "fish out of water" thing, whereby the primarily Western audience puts themselves in Tom Cruise's shoes to learn about the bushido code and the way of the samurai. Practically every other major character in that film is played by a Japanese actor.

I guess one could argue that the story didn't need to have a white man playing the lead role, but regardless, it's hardly the whitewashing displayed in their other examples.
 
Like SpideySenses said, it's decidedly not true. Hell, Star Wars just proved how untrue it was with its movie as well. It's just an excuse people continue to use without much to back it up. They get to place the blame on the audience and foreign market saying "Well they didn't respond to the POC in the main role" to justify their own lack of effort in not choosing POCs for starring roles. And either way, the only way to combat it at all is to include POCs in the films. The people who say they won't see a movie because a person of color is in the main role, don't make up the bulk of the audience. If you get an audience used to something, they'll deal with it. Make more diverse casts and people will still come to the movies and they'll become more accepting of diverse casts in general. This particular video is about games but the point it makes can extend to all media in general: https://www.youtube.com/watch?v=R7pjxXQ6va8
Yup.
 
If the majority doesn't have a problem with a diverse cast why do they still whitewash?

Is it writers, directors, producers, casting people just being white themselves?

It's a lot of stuff. Back in the day studios could project the success of a film a lot more accurately than they can today. During the Studio System era from the 20-60s having a big name star in the film was more important that anything really. They were literally bankable names. People saw X actor was in a movie and they went to see it. That's why studios conned all these famous actors into crazy huge contracts that locked them into dozens of films or X years.

That's changed a whole lot in the last 30 years, especially in the modern era of media, and they don't know how to forecast what will and what won't be a hit these days like they use to. Though they still do multi-picture contracts with actors because they consider it an asset.

One movie they think is sure to be a success is a flop while another that wasn't supposed to be a huge hit turns out to be a blockbuster and when they try and recreate that they just get another flop. For whatever reason they're still clinging to these old "tried and true" ways despite the fact that they've shown themselves to not be reliable.

Films are crazy expensive and a lot more risky these days, which is why everything is either a sequel or an adaptation of an established IP because they want to reduce the risk factor as much as possible. So for studio execs and financiers they want some kind of assurance and well known actors are a big one for them still, again despite failing time and again to be a reliable asset.

Someone like Ridley Scott though has the clout and pedigree that he should be able to fight for and get over that shit and actually get unknown minority actors in his film, but more than likely he never even tried because he never really cared or wanted to. It's not important to him.

Then you have the issue of Hollywood being a relatively "small' place. A whole lot of success is just based on who you know, or who your parents are, and what connections you have. So it's not surprising a lot of white actors get big roles because they're friends or relatives with other white actors, producers and film industry people.
 
It bugs me when the language used in period pieces don't line up either. They certainly weren't speaking English in Egypt back then.
 
Slightly funny video, but awful in an analytical sense. The Ridley Scott comment that they ridicule is on point. The movie industry is a business. Well-known people are cast to increase the likelihood of getting ROI. If this leads to racist caricatures, the movie in question runs the risk of being boycotted and critically panned.
 
Mel Gibson gets it. apocalypto and passion of christ were fucking powerful because of the fact that the actors werent speaking the kings.

Slightly funny video, but awful in an analytical sense. The Ridley Scott comment that they ridicule is on point. The movie industry is a business. Well-known people are cast to increase the likelihood of getting ROI. If this leads to racist caricatures, the movie in question runs the risk of being boycotted and critically panned.

joel edgar is not well known.
 
Slightly funny video, but awful in an analytical sense. The Ridley Scott comment that they ridicule is on point. The movie industry is a business. Well-known people are cast to increase the likelihood of getting ROI. If this leads to racist caricatures, the movie in question runs the risk of being boycotted and critically panned.

Even within that video this flawed reasoning was pointed out. Was there any reason at all why all those no named actors had to be white as well. And racist caricutures is an even worse arguement your talking about a biblical story here, the only reason you'd run to into problems with racist caracutures is if you were actually racist to begin with. They're just people.

You don't worry about writting racist caricutures about white people do you.
 
Its not a gimmie considering it sold like shit...

http://www.boxofficemojo.com/movies/?id=exodus.htm

In terms of getting green lit, I can't imagine refusing the guy who made Gladiator coming to you with another big budget period movie. But it probably also sold like shit due to its own controversy coupled with the fact that there were issues with the script itself that were beyond the cast. Movie might have attracted a bigger crowd if it dared to buck the trend of just plugging in white actors in place of POCs. Would it have overcome its own budget? Probably not. But it would have actually made the movie more interesting and less a forgotten footnote.
 
I think that creates another issue if Moses is the only one played by a white guy, on the other hand

No it doesn't we'r talking about an israel and and Egyptian here, even in most children picture drawings or the disney adaptation, they are often clearly depited as having a different race.
 
No it doesn't we'r talking about an israel and and Egyptian here, even in most children picture drawings or the disney adaptation, they are often clearly depited as having a different race.

Isn't pretty much half the criticism of The Last Airbender centered around the fact that they cast white kids as the good guys and minorities as the antagonists?

I guess to clarify, I think you have to go all or nothing since you run into that exact issue.
 
Isn't pretty much half the criticism of The Last Airbender centered around the fact that they cast white kids as the good guys and minorities as the antagonists?

It's mostly because it was a bad movie, you could switch the races around, and it wouldn't have made a big deal in th grand scheme of things, other than the story being clearly about asian and iniuit races.

Your acting as if non white actors can't play villains without there being backlash. Simply watching a tv show a large range of movies ould show this assumption to be patently false. It's a pretty damn common affair.
 
No it doesn't we'r talking about an israel and and Egyptian here, even in most children picture drawings or the disney adaptation, they are often clearly depited as having a different race.
There's a Disney adaptation? You mean the DreamWorks one? Moses isn't white in that. It's probably the one time the Exodus story doesn't whitewash everyone. Well, visually. Voices are a different story.
 
Yep. A seemingly racist person employs the most diverse casts in his movies. A bit strange.

Oh, he's racist alright, and homophobic, and a batterer.

well, i dont know about that. he did cast a white guy to play jesus. a white woman to play mary magdelene.

Outside of maybe Man Without a Face, none of the films he's directed are without some baggage, and considering his past, I'm sure many of those arguments would be very legit.
 
It's mostly because it was a bad movie, you could switch the races around, and it wouldn't have made a big deal in th grand scheme of things, other than the story being clearly about asian and iniuit races.

Your acting as if non white actors can't play villains without there being backlash. Simply watching a tv show a large range of movies ould show this assumption to be patently false. It's a pretty damn common affair.

I'm acting as if whitewashing the good guys but leaving the villains for minority actors has some uncomfortable undertones, and I don't really see how that's supposed to be inaccurate. That said, the reverse might be better with Christian Bale as Ramses or something.
 
John Oliver's show is definitely the evolved form of the Daily Show. Trevor Noah just isn't doing it for me, but every segment of Last Week Tonight is funny and super informative. Even John Stewart wasn't this consistent for me.

That's why that movie is awesome.
Still hopeful that Mel Gibson Viking Movie gets made. :(

Ditto, it does seem like Hollywood is forgiving Mel a bit. I recently found out that he's directing a new WW2 movie called Hacksaw Ridge.

If this does well I think it will definitely lead to the Viking movie.
 
I know Cruise isn't actually the samurai who is specifically being referred to in the title, but the point is THIS is the poster for the movie and how it was marketed:

e3t5TxO.jpg


You tell me who the general public is supposed to think "The Last Samurai" is referring to.

Yep.

And on an even larger point Tom Cruise shouldn't be a Samurai period.
 
There's a Disney adaptation? You mean the DreamWorks one? Moses isn't white in that. It's probably the one time the Exodus story doesn't whitewash everyone. Well, visually. Voices are a different story.

We weren't talking about Moses, we were talking about the prince,

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They both weren't white, but they didn't neccesarily look like were from the same part of the middle east.
 
Even within that video this flawed reasoning was pointed out. Was there any reason at all why all those no named actors had to be white as well. And racist caricutures is an even worse arguement your talking about a biblical story here, the only reason you'd run to into problems with racist caracutures is if you were actually racist to begin with. They're just people.

You don't worry about writting racist caricutures about white people do you.

It should be completely up to the filmmaker and the people who pay for the movie imo. They cast Christian Bale as Moses, so it is possible that they wanted to avoid accusations of racism by casting white antagonists as well. Or they thought that the white dudes they cast were better suited for the roles, more famous or easier to get than any suitable non-white actors. I haven't seen the movie, so the comment about racist stereotypes was not in reference to Exodus. The point I was trying to make is that any racist dimension of casting white actors in non-white roles is self-regulated by the market to a large extent. There is no need for social democratic censors to decide production details in movies, such as what race an actor playing a particular role should have (although in my country, Sweden, we have a system just like that).
 
It's a lot of stuff. Back in the day studios could project the success of a film a lot more accurately than they can today. During the Studio System era from the 20-60s having a big name star in the film was more important that anything really. They were literally bankable names. People saw X actor was in a movie and they went to see it. That's why studios conned all these famous actors into crazy huge contracts that locked them into dozens of films or X years.

That's changed a whole lot in the last 30 years, especially in the modern era of media, and they don't know how to forecast what will and what won't be a hit these days like they use to. Though they still do multi-picture contracts with actors because they consider it an asset.

One movie they think is sure to be a success is a flop while another that wasn't supposed to be a huge hit turns out to be a blockbuster and when they try and recreate that they just get another flop. For whatever reason they're still clinging to these old "tried and true" ways despite the fact that they've shown themselves to not be reliable.

Films are crazy expensive and a lot more risky these days, which is why everything is either a sequel or an adaptation of an established IP because they want to reduce the risk factor as much as possible. So for studio execs and financiers they want some kind of assurance and well known actors are a big one for them still, again despite failing time and again to be a reliable asset.

Someone like Ridley Scott though has the clout and pedigree that he should be able to fight for and get over that shit and actually get unknown minority actors in his film, but more than likely he never even tried because he never really cared or wanted to. It's not important to him.

Then you have the issue of Hollywood being a relatively "small' place. A whole lot of success is just based on who you know, or who your parents are, and what connections you have. So it's not surprising a lot of white actors get big roles because they're friends or relatives with other white actors, producers and film industry people.

Nailed it.
 
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